Fleda opened her eyes. "She went down to Ricks?" These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"!

"You mean that she'll be the soul of the row?" Mrs. Gereth's rejoinder too hung back; then when it came—from sad eyes as well as from lips barely moved—it was unexpectedly merciful. "It will be very hard." That was all, now; and it was poignantly simple. The train Fleda was to take had drawn up; the girl kissed her as if in farewell. Mrs. Gereth submitted, then after a little brought out: "If we have lost—"

She explained to Mrs. Brigstock. "Mrs. Gereth, at Ricks, the other day, asked me particularly to see him for her." Fleda decided. "Drive to Euston, please." "A bibelot the more or the less," Fleda said, "could have made little difference in this grand general view of you. I take you simply for the greatest of all conjurers. You've operated with a quickness—and with a quietness!" Her voice trembled a little as she spoke, for the plain meaning of her words was that what her friend had achieved belonged to the class of operation essentially involving the protection of darkness. Fleda felt she really could say nothing at all if she couldn't say that she knew what the danger had been. She completed her thought by a resolute and perfectly candid question: "How in the world did you get off with them?"